Languages and music within the vocal corpuses from the Middle Ages and the Renaissance = Lingua e musica nei corpora cantati del Medioevo e del Rinascimento
4th French-Italian Meeting: International Symposium “Philology and Musicology” and Festival “Musici Vagantes” = IV incontro italo-francese: Congresso internazionale “Filologia e Musicologia” e Festival “Musici Vagantes”
Abbazia di Morimondo, Morimondo (MI), Italy – June 1st-4th 2019
Università di Pavia, Pavia (PV), Italy – June 5th 2019
Détails et inscription : https://philomusi4.sciencesconf.org/
Program
Samedi 1er juin
Abbaye de Morimondo, salle Capitulaire
13h30 – Accueil et inscriptions
14h00 – Ouverture du congrès par Fabio Zinelli
14h15 – Conférence inaugurale de Maria Sofia Lannutti : Lingua, metro, musica nella tradizione della lirica medievale : in che modo la musica interpreta la poesia?
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15h45-17h45 – Session 1 : Langues et traditions en contact
Kristin Hoefener : L’office O felix Germania en l’honneur des vierges de Cologne : quel rapport entre texte et musique ?
Shin Nishimagi : Mélodies intervalliques dans les manuscrits du Dialogus de Musica 9
Lou Lousberg : Rhetoric in Gregorian Chant
Clélia Bergerot : Duende, Joi et Tarab, ou comment guérir par les larmes (Inspiration, improvisation et guérison)
Dimanche 2 juin
Abbaye de Morimondo, salle Capitulaire
11h30-12h30 – Session 1 (suite)
Nina-Maria Wanek et Jean-François Goudesenne : «Quando Romani in graeco cantabant… ». Byzantine and Greek Remnants in Latin Roman-Frankish Liturgies (8th-12th centuries)
14h-17h30 – Session 2 : Poésie lyrique, XIIe-XIVe siècles
Davide Daolmi et Stefano Resconi : « Fortz chausa es que tot lo major dan» di Gaucelm Faidit: il rapporto tra parole e musica in un planh
Gianluca Bocchino : Fra testo e musica: considerazioni sulle chansons de toile del canzoniere di Saint-Germain-des-Prés (Paris, BnF, fr.20050)
Fabio Sangiovanni : La cesura epica come problema lirico
Christelle Chaillou-Amadieu et Delphine Pasques : Chanter l’amour en langue allemande au XIVe siècle, entre tradition et innovation
Lundi 3 juin
Abbaye de Morimondo, salle Capitulaire
9h-11h00 – Session 3 : XIVe siècle et Ars nova
Giorgio Monari : Red notes and the text of the Roman de Fauvel
Antonio Calvia : La formalizzazione delle strutture formali della poesia e della musica nel repertorio metrico-musicale plurilingue dell’Ars Nova europea
Lucia Marchi e Angelica Vomera : Verso una definizione dei criteri metodologici per l’analisi comparata di testo e musica nel repertorio tardo trecentesco
14h-18h – Session 4 : Du Moyen Âge à la Renaissance
Michela Spacagno et Yunhao Na : Les hexa-heptasyllabes musicaux dans le théâtre français du Moyen Âge et de la Renaissance
David Fiala et Jean-Eudes Girot : Les chansons combinatoires : un double défi philologique
Sophie Chouvion, Timothée Premat, Axelle Verner : Henry Fresneau, polyphonie et musication. L’association de la musique et du texte chez un compositeur du XVIesiècle
Mardi 4 juin
Abbaye de Morimondo, salle Capitulaire
9h-10h30 – Session 4 (suite)
Séverine Grélois et Sebastián León : «¿Quién ha de responder a hombres que no se mueven sino al son de los consonantes?» : l’adoption de la métrique italienne dans l’Espagne de la Renaissance
Isabelle His, La tedesca italienne
11h – Conférence Plénière de Michel Banniard : Le latin entre scripturalité réelle et oralité virtuelle : éléments d’une reconstruction « in vivo »
14h30-17h30 – Session 5 : Le Manuscrit du Roi (Paris, BnF, fr. 844)
Christelle Cazaux-Kowalski et Luca Gatti : “Un descort en langue d’oïl et des chansons latines à la Vierge : le cas de La douce acordance et Iam mundus ornatur dans le Chansonnier du Roi”
Alexandros Maria Hatzikiriakos et Sara Maria Fantini : Le addizioni tardive dello Chansonnier du Roi : segno, suono, performance
Pierre Huard : Les chansons de Bernard de Ventadour dans le Chansonnier du Roi (W, BnF fr 844)
Mercredi 5 juin
Université de Pavie
10h – Table-ronde : Le Manuscrit du Roi. Image, Texte, Musique (projet ANR 2018 MaRITEM)
Modérateurs : Maria-Luisa Meneghetti, Christelle Chaillou-Amadieu & Federico Saviotti
Avec la participation de : Christelle Cazaux-Kowalski, Jean-Baptiste Camps, Gisèle Clément, Oreste Floquet, Fañch Thoraval, Isabelle Ragnard
12h30 – Conclusions du congrès
The 4th symposium “Philology and Musicology” aims to address the question of the relationship between languages and music in the vocal corpuses from the Middle Ages and the Renaissance. How does language directly affect the compositional process?
In order to answer this question, we consider a double postulate: on the one hand, the very substance of a language would condition certain elements of the musical composition associated with it, such as the rhythm or the musical phrase and, on the other hand, the compositional process might be common to certain linguistic traditions, for example, the processes of “centonization”. Although the literature on the subject is abundant, it is mainly monodisciplinary; transversal work combining equal skills in philology and musicology are rare. While many musicologists and philologists have been interested in the relationship between music and language, we wish now to orient our studies towards a real collaboration between musicologists and text specialists. In the same way, comparative studies of several linguistic traditions are relatively rare, as are studies of their implications in musical creation. Moreover, we question whether this relation to language varies according to genres and forms, and how the same language is treated in monody or polyphony. Finally, the consideration of this question diachronically up to the 16th century will aim to delimit the continuities and particularities between different periods, both linguistic and musical.
Texts in both Latin and the vernacular languages will be taken into account. Following a now well-established tradition, the meeting will privilege interdisciplinary and collaborative contributions. Individual contributions and/or contributions devoted to one or the other of the two disciplines are nevertheless encouraged, as long as they aim to problematize the consideration of the objects of study in relation to the contributions of the other discipline, or if they stimulate reflection within the other disciplinary domain. The subject may be treated according to two main axes:
I. The literal relationship between music and language.The theme suggests a study of the direct links between music and text; it is particularly suited to interdisciplinary work. Comparative works situated among several linguistic traditions are welcome. Possible approaches might include:
- Morphosyntax and musical structure: language and musical form, language and structure of musical motifs, etc.
- Metrics and music: accentuation and musical rhythm, choice of meter / specific rhythmic sequence, etc.
- Phonetics and music: relationship between the sound material of the language (grammatical and metrical accents) and musical curve, alliterations, assonances, rhymes and music, etc.
- Music and language in diachrony: changes in the relationship between language and music, linguistic and musical evolution, etc.
- Musical particularities of plurilingual texts.
- Translation of texts: continuity or discontinuity of music, relation with prosody, etc.
II. Diversity of languages and musical traditions. The second theme is mainly comparative; it may concern the following axes:
- Linguistic features in vocal corpuses that could affect melody or polyphony.
- Musical features related to the language used.
- Comparison between languages: metrics, accentuation, sound, etc.
- Comparison between melodies or polyphonies setting texts in different languages: troubadours, trouvères, Minnesänger, etc.
- Rewritings: borrowings, contrafacta, quotations, etc.
The fourth meeting will take place in Italy in the village of Morimondo, which will also host the medieval music festival Musici Vagantes, associated with our congress since the Rome meeting in 2015.
OpenEdition vous propose de citer ce billet de la manière suivante :
Vanessa Ernst-Maillet (29 avril 2019). [1er-5 juin 2019] Languages and music within the vocal corpuses from the Middle Ages and the Renaissance. Carnets du CESCM. Consulté le 20 mars 2025 à l’adresse https://doi.org/10.58079/ml3z